Tuesday, July 17, 2012

Video: Junk Culture ' 'Growing Pains' (CoS Premiere)

Oxford, Mississippian Deepak Mantena has made a name for himself as Junk Culture, slicing and dicing samples roughly along the lines of Illegal Art label mate Girl Talk. After relying on DIY cuts of field recordings, snippets of favorite songs, and instrumentals to fill out his first two albums, Mantena decided to go heavier on original music for his debut LP, Wild Quiet. Now, he draws inspiration from the electro-pop of bands like Neon Indian and chillwave's lethargic rhythms for tracks like 'Growing Pains', the first listen off the album.

In the music video, a spinning camera takes in Mantena and his backing band in an abandoned lot as he sings (fittingly, given his new artistic vision), 'I'm not trying to be the man I used to be.' Obviously, since they don animal masks in their increasingly discolored, Instagrammed environment. Try not to get dizzy as you watch it below.

Wild Quiet arrives July 31st via Illegal Art.



Album Review: Aesop Rock ' Skelethon

Image of Album Review: Aesop Rock ' Skelethon
Aesop Rock is one of the strongest rappers out there, both in lyrics and in flow. Listening to his lyrics is like a master class of simile and metaphor, and very often it takes more than a few runs to grasp what he's talking about. His attention to detail and his talent in spinning rhymes like woven silk have helped him stand out in the hip-hop world. On Skelethon'the first album since 2007's None Shall Pass'Aesop Rock gets a little personal, a little confessional even, and knocks out one of his best albums to date.

Skelethon is his first self-produced album, and the beats he employs complement the more personal story-lines perfectly. The production on past albums held Ace back from hitting the highest highs'songs like 'Jumper Cables' from 2003's Bazooka Tooth and 'Guns for the Whole Family' from None Shall Pass exuded too much distracting industrial fuzz 'but here on Skelethon, he has pushed his work to a whole new simplified level. He employs cleaner indie-rock guitar lines coupled with booming 808s on the backing tracks that let his words take over the listener. It's more akin to past tracks like 'Big Bang' from Labor Days: at times more atmospheric soundtrack for his labrynth-like lyrics.

The sweeping horror-film synths floating under the dark 'Ruby '81' creates just the right ominous, nighttime scenery for the story of a two year-old who falls into a pool, only to be saved by the family dog while the adults absentmindedly watch 4th of July fireworks. Then on the other end of the spectrum, 'Racing Stripes' has bouncing bass and percussion that work in lockstep with Rock's schoolyard flow and couplets about a friend giving himself a bad haircut as motivation to work harder.

The playful nature of 'Racing Stripes' is one of the few times the lighter side takes center on the album'including a hilarious story from his childhood hatred of vegetables on 'Grace''as Ace mines deep personal feelings for this set of songs. Personal turmoil of the passing of close friend Camu Tao (which also inspired much of El-Ps new masterpiece) and the dissolution of a long-time relationship (divorce from wife Allyson Baker who, oddly enough, plays bass and sings on quite a few tracks) sit front and center on most of the tracks. It isn't that the songs are sad, but there's a definite edge to his voice and words.

Lead single 'Zero Dark Thirty' rants and contemplates about the state of the so-called 'indie rap' over which Aesop Rock reigns supreme. He spits, 'Moral compass all batshit spinning in the shadows of immoral magnets/ are we supporting the artist or enabling the addict/ I mean, I guess it matters to me/ I wish it mattered to you.' You can hear his anger and disillusionment of the whole scene trying to emulate what he and his peers started with: 'Roving packs of elusive young become choke-lore writers over boosted drums/ in the terrifying face of a future tongue/ Down from a huntable surplus to one.'

The album ends with Ace cracking his heart wide open on track 'Gopher Guts'. All of the anger, sadness, and irreverence comes out, especially on the closing verse. Rock focuses outward at the start, but in the end, turns all focus inward. The music drops to a droning synth and the first line slaps you in the face: 'I have been completely unable to maintain any semblance of relationship on any level/ I have been a bastard to the people who have actively attempted to deliver me from peril.' He deconstructs himself like a rap battle in a mirror for a full minute, and then successfully wraps up all the emotion he brought to the surface throughout the album into a repetitive 'on and on and on.'

Aesop Rock is 36 years-old, and after being in the forefront of the scene for nearly 15 years, his experimentation doesn't have to be through concept albums and characters, but via simply experimenting with being himself and doing things entirely himself. He said recently that after his divorce and Tao's death he grew more and more isolated, becoming someone he didn't appreciate. Now, he's removed all high concepts and stripped both the music and his voice bare, and Skelethon makes you feel that vulnerability and emotion ' it's real stuff.

Essential Tracks: 'Gopher Guts', 'Grace', and 'Zero Dark Thirty'



Video: Hot Chip ' 'Look At Where We Are'

Hot Chip has released another video supporting their latest LP, In Our Heads. With help from The Creators Project, director Danny Perez took the album's more meditative track, 'Look At Where We Are', and carved out something altogether ooky. Odds are you wouldn't want your own autopsy ending up like this ' or, maybe you would. Decide below.

Also, in case you missed it, Hot Chip recently released a remix of 'Look At Where We Are' by Major Lazer, which you can listen to here. And also check out our new interview with the band's Felix Martin.



Monday, July 16, 2012

Video: Jack White ' 'Freedom at 21'

Image of Video: Jack White ' 'Freedom at 21'

By Alex Young on July 16th, 2012 in Music Videos, News



The Afghan Whigs release Frank Ocean cover, announce more tour dates

The Afghan Whigs have been covering Frank Ocean's 'Lovecrimes' on the regular during their ongoing reunion tour (see video evidence below). Now, the band has decided to release a studio version of the cover, marking their second release of the year. The track is streaming now at FADER, and will be available as a free download through the band's website beginning at Noon EST today.

And speaking of reunion shows, The Whigs have just filled out their fall calendar with a number of new shows across the U.S. Check out their updated schedule below.

The Afghan Whigs 2012 Tour Dates:
07/25 ' Melbourne, AU @ Hi-Fi
07/26 ' Sydney, AU @ The Factory
07/27 ' Byron Bay, AU @ Splendour in the Grass
08/03 ' Chicago, IL @ Lollapalooza
08/04 ' Chicago, IL @ Metro
08/07 ' Helsinki, FI @ Circus
08/09 ' Oslo, NO @ Oya Festival
08/10 ' Goteborg, SE @ Way Out West Festival
08/11 ' Haldern, DE @ Haldern Pop
08/14 ' Warsaw, PL @ Palladium
08/15 ' Prague, CZ @ Lucerna Music Bar
08/17 ' Hasselt, BE @ Pukkelpop
08/19 ' London, UK @ Koko
09/22 ' New York, NY @ ATP's I'll Be Your Mirror
09/26 ' Boston, MA @ House of Blues
09/27 ' Philadelphia, PA @ Electric Factory
09/28 ' Washington, DC @ 9:30 Club
10/03 ' Toronto, ON @ Phoenix Theatre
10/05 ' New York, NY @ Terminal 5
10/12 ' Austin, TX @ Austin City Limits
10/19 ' New Orleans, LA  @ Tipitina's
10/20 ' Atlanta, GA @ The Masquerade
10/21 ' Carrboro, NC @ Cat's Cradle
10/24 ' Detroit, MI @ St. Andrew's Hall
10/25 ' Cincinnati, OH @ Bogart's
10/28 ' Minneapolis, MN @ Varsity Theatre
10/30 ' Denver, CO @ Ogden Theatre
11/02 ' Portland, OR @ Wonder Ballroom
11/03 ' Seattle, WA @ The Showbox
11/07 ' San Francisco, CA @ The Fillmore
11/09 ' Los Angeles, CA @ The Fonda



New Music: No Doubt ' 'Settle Down'

No Doubt has unleashed 'Settle Down', the lead single off their sixth studio album, and first in over a decade, Push and Shove. You can stream the radio edit at RyanSeacrest.com.

The band will unveil the song's official music video tonight at 8:00pm EST. Directed by longtime collaborator Sophie Muller, the clip finds the band members behind the wheel of souped-up big rigs. 'The idea is they are all driving to meet after having had their separate lives over the last ten years,' Muller told Rolling Stone. We'll edit in the video below once it hits the web.

Push and Shove will be released on September 25th via Interscope Records.



Sunday, July 15, 2012

Bruce Springsteen and Paul McCartney cut off by London curfew

So imagine this scenario: Bruce Springsteen and the E Street Band end their 30-song, three-hour set at London's Hard Rock Calling by bringing out the King of England himself, Sir Paul McCartney. 'I've been waiting for this for 50 years,' Bruce says before they begin playing The Beatles' 'I Saw Her Standing There' and a rousing 10-minute rendition of 'Twist and Shout'.

Obviously, that's the sort of event that'd be remembered and cherished and viewed on YouTube for years to come. Think again. According to CNN, festival organizers chose to pull the plug last night during 'Twist and Shout' over fears of breaking curfew. Axl Rose and Lady Gaga were previously charged £72,000 and £10,000, respectively, for the similar violations, but apparently that's too steep a price to see two legends share the stage. Go figure.

Update: E Street Band guitarist Steve Van Zandt shared his thoughts on Twitter: 'One of the great gigs ever in my opinion. But seriously, when did England become a police state? We break curfews in every country but only English cops needs to 'punish us' by not letting us leave until the entire crowd goes. Is there just too much fun in the world? We would have been off by 11 if we'd done one more. On a Saturday night! Who were we disturbing? The cops got nothing more important to do? How about they go catch some criminals instead of fucking with 80,000 people having a good time? English cops may be the only individuals left on earth that wouldn't want to hear one more from Bruce Springsteen and Paul McCartney! I'm sorry but I have to be honest I'm pissed. Like I said, it didn't ruin the great night. But when I'm jamming with McCartney don't bug me!'

Below, you can watch Springsteen and McCartney performing together prior to the sacreligious plug pulling.